Herz House
Story14 August 2026

TARTUFF: LOVE, A MATTRESS AND TWO OF A KIND

Anna Viaznikova | HERZ HOUSE

Projects

Photographer Anna Viaznikova

A Date That Didn't Go According to Plan


Every love story has a beginning. For Margo Soom and Vanessa Vähi, it was a summer film festival in Tartu: Tartuff.

Margo invited Vanessa to the festival, and she expected a romantic date for two. Margo, however, had a slightly different plan — or, more precisely, he brought a friend along.

“I thought we were going to have a lovely date just the two of us, but you brought a friend.”

Not quite the scenario she had imagined. But sometimes the best stories begin when things don't go entirely to plan.

Margo had already been attending Tartuff for several years. The festival was a familiar part of his summer, and he simply invited Vanessa to join him. Neither of them could have known that the invitation would turn into a tradition lasting more than a decade.

First Came the Conversations, Then Love


They quickly discovered they had plenty to talk about. Vanessa remembers being slightly worried that an awkward silence might fall and she would have nothing to say. But Margo turned out to be an excellent conversationalist. In fact, he did most of the talking, while she happily listened.

Margo has a much simpler explanation: he needed attention, so he talked a lot. As it turned out, the approach worked.

There was no need for occasional dates separated by long gaps. They returned to the festival the very next day. And then again. Margo explained that he usually attended Tartuff every day for a week, and Vanessa decided to join him.

Without either of them quite planning it, the festival became one long first date.

Photographer Anna Viaznikova
“We spent an entire week together, and I think that's when our relationship really began.”

After the films, they weren't in a hurry to say goodbye. They walked through Tartu at night, talked for hours and accompanied each other home. The screenings ended, but the evenings continued. Somewhere in those long conversations between films, something much more important than a simple introduction began to take shape.

An Anniversary That Lasts a Week


Today, Tartuff means much more to Margo and Vanessa than an open-air film festival. It is the place where they met and an annual reminder of how their life together began.

“The whole of Tartuff is a symbol of our relationship because it's our anniversary. We met here, and we celebrate our anniversary here every year.”

Their anniversary has one particular advantage: there is no need to plan it. The organisers prepare the programme, one film follows another, and all the couple has to do is show up and spend time together.

And one day simply isn't enough. According to Margo, their anniversary lasts an entire week.

Romance, however, goes hand in hand with everyday life. Margo also appreciates the festival as an opportunity to escape the relentless pace of modern life. At home, after a long day, they might collapse into bed and switch off the television out of sheer exhaustion. At Tartuff, things are different: the films have already been selected, the screen is on, and all they have to do is watch.

Vanessa adds that the programme is fascinating because it brings together films from different countries and explores a wide range of subjects. After the screenings, they discuss what they have seen, disagree and exchange impressions. Cinema becomes another way to spend time together and continue discovering each other.

Photographer Anna Viaznikova

Two of a Kind — and One Mattress for Two


If you've ever been to Tartuff, you may already have spotted Margo and Vanessa. They are among those audience members who don't simply turn up for an occasional screening but try to experience the festival in its entirety. Their unmistakable companion is a mattress, allowing them to settle comfortably in front of the screen and enjoy the films.

It is almost a perfect metaphor for their relationship: find your place, get comfortable and don't rush off before the story ends.

But what if their love story became a film at Tartuff? What would its title be?

Vanessa suggests Two of a Kind. She immediately explains why: they're both a little crazy, and that's precisely why they suit each other.

Margo initially has his doubts. There are, after all, so many possible titles. But eventually, he accepts Vanessa's choice. His argument is brief and convincing: the woman is right.

And if Tartuff ever decides to make a film about them, they seem unlikely to object. Margo and Vanessa describe themselves as adventurous people and believe their story would have room for everything: travel, funny moments, arguments and reconciliations.

After all, a love story doesn't have to be perfect to make good cinema.

A Story That Returns Every Year


Perhaps their paths would have crossed even without Tartuff. They had mutual friends. But Vanessa believes the festival gave them something they might not otherwise have found: the opportunity to spend hours together before they even thought of themselves as a couple.

They arrive early, talk before the screenings, watch the films, discuss them afterwards and sometimes stay awake until the early hours of the morning. Their time together is made up of countless small moments that could never have been planned in advance.

Now, every year, Tartuff brings them back to the beginning of their own story. And while new plots unfold on the screen, Margo and Vanessa continue writing theirs.

With a mattress, long conversations, debates about cinema and an anniversary that lasts an entire week.

The title of their film has already been chosen: Two of a Kind.

It seems to be a story they're happy to watch over and over again.

Photographer Anna Viaznikova

Related

Cinema / Cinema
Story14 August 2026

BETWEEN TWO WORLDS

Presented at TARTUFF 2026 in Elektriteater, Idiot explores the lives of two young men whose different family backgrounds become a starting point for a deeper look at social inequality and the realities of growing up. For director Maia Teemusk, the contrast between the two protagonists was one of the most compelling aspects of the story. One comes from a wealthier family, while the other has fewer financial advantages. Their differences create a conflict that feels both dramatically engaging and recognisable in contemporary society.

Anna Viaznikova | HERZ HOUSECinema / Cinema
Story10 August 2026

HEART AND FIRE: WHAT MAKES A STORY WORTH TELLING?

Marta Baldó is a film producer and co-founder of Funicular Films. Marta Baldó on artistic freedom, the invisible work of producing, and the stories that deserve to be told even when their audience is still unknown. Every film has two stories. One unfolds on screen. The other begins long before the first frame — in conversations, doubts, funding searches, and the struggle to preserve an original idea when reality demands compromise. Marta Baldó works with the second story. But she never separates it from the first. At TARTUFF, we met Marta to talk about VIVA, Aina Clotet’s feature directorial debut, which premiered at the Cannes Film Festival’s La Semaine de la Critique. Yet our conversation quickly moved beyond a single film. It became a reflection on the nature of producing, the tension between art and economics, and why sometimes it is more important to preserve a question than to find a convenient answer.

Anna Viaznikova | HERZ HOUSECinema / Cinema

Subscribe

Letters from
the house

One letter each month. New stories, unpublished photographs, and early access to HERZ editions. No announcements, no noise.